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Over ten thousand people got their start in astrophotography with the first two editions, now The Deep-sky Imaging Primer has been fully revised and expanded in this new third edition. It has been updated to include the latest cameras, technology, and software. Everything you need to know about capturing and processing stunning images of deep-sky objects is covered:
- The fundamental principles of electronic cameras, optics, and mounts
- How to choose the best camera and telescope for you
- How to set up, choose exposure parameters, and take the images
- Where and when to find the best deep-sky objects
- How to process images—in addition to PixInsight® and Adobe Photoshop®, Affinity Photo® and AstroPixelProcessor® are now fully covered
Start-to-finish examples of image processing are included, with a focus on PixInsight. The book is 280 pages with 373 illustrations, printed in full-color.
Welcome to Astrophotography! 7
Section 1: Understanding Images
- Electronic sensors
- The challenges of deep-sky imaging 9
- How electronic sensors work 9
- Sensor architecture: CCD vs CMOS 10
- Well capacity and bit depth 11
- The trade-off between dynamic range and gain 11
- The importance of bit depth 13
- Linear data and response curves 13
- Creating color images 14
- Signal and Noise
- How signal varies 16
- Signal and noise at the pixel level 17
- Shot noise 18
- An example of shot noise 19
- A dimmer example 22
- Skyglow 22
- Why shot noise cannot be subtracted away 23
- Dark current 24
- Read noise 25
- Adding signals and noise 26
- Variation in two-dimensions 27
- Bringing it all together 27
Section 2: Acquiring Images
- Choosing and using a mount
- Types of mounts 31
- Choosing and using a GEM 33
- Meridian flip 33
- Polar alignment 34
- Drift alignment 35
- Impact of polar alignment error on tracking 35
- Tracking error 36
- Balancing a mount 37
- Choosing a camera
- DSLRs 38
- Dedicated astronomical cameras 38
- Parameters to consider in choosing a camera 39
- The CMOS revolution 39
- Sensor size and field of view 39
- Parameters of common sensors 40
- Connecting your camera to a telescope 42
- Image scale: matching sensor and optics
- Resolution and seeing 43
- Sampling 45
- Factors that limit resolution 46
- Equipment recommendations 48
- Focal reducers and field flatteners 48
- Finding the right flattener or reducer 49
- Understanding the ‘f-ratio myth’ debate 50
- Etendue and comparing optical systems 50
- Choosing a telescope
- Fundamental optical parameters 52
- Telescopes for visual vs. imaging use 52
- Optical aberrations 52
- The Strehl ratio 54
- Refractors 54
- Telephoto lenses 56
- Reflectors and compound telescopes 56
- Summary of telescope options 59
- Filters and narrowband imaging
- Filters for imaging 60
- Choosing the right filter size 60
- Narrowband filters 61
- Light pollution filters 63
- DSLR filters and modification 64
- Focusing and setting up
- Focusing 65
- Achieving critical focus 65
- Reducing setup time 66
- Dovetails, rings, and other mount accessories 67
- Threaded connections 67
- Power supplies 68
- Dew prevention 68
- USB cables and hubs 68
- Automating image acquisition
- Automating your imaging 69
- Connecting to the mount 70
- ASCOM, Alpaca, and INDI 70
- Choosing and setting up a control PC 71
- Autoguiding
- Autoguiding fundamentals 73
- Autoguiding software 74
- Guiding graphs and performance 76
- Setting exposure parameters
- Principles of choosing subexposure duration 78
- Subexposure duration: the histogram method 79
- Subexposure duration: the calculated method 79
- Setting gain 82
- Taking the exposures
- Planning for a night of imaging 84
- A basic image capture workflow 85
- A review of calibration frames 85
- Taking dark frames 87
- Taking flat frames 87
- How many flats should you take? 88
- Taking bias frames 88
- Do I really need to take calibration frames? 89
- Dithering light frames 89
- Choosing objects to image
- The size of deep-sky objects 90
- The deep-sky catalogs 90
- Object types and the seasons 91
- A survey of object sizes 94
- Giant Objects (2° or greater) 94
- Really Big Objects (1–2°) 94
- Objects from 30–60’ 94
- Objects from 15–30’ 95
- Objects from 5–15’ 95
- Objects from 1–5’ 95
- Objects smaller than 1’ 95
- The Sun, the Moon, and the atmosphere
- When is it dark enough? 96
- Light pollution 96
- Measuring sky brightness 98
- Impact of the moon 98
- Impact of object altitude 99
- Local turbulence 101
- Improving your results
- The astrophotography learning curve 102
- Getting more data 102
- Getting better SNR from your raw data 102
- Getting better resolution 103
- Getting more out of your data in processing 103
Section 3: Processing Images
- Color in digital images
- Raw data and image file formats 105
- How we perceive color 105
- Producing color on print and screen 105
- Color management and color spaces 107
- LAB color 108
- The HSL/HSV/HSB color model 108
- White balance and color temperature 108
- Deep-sky color accuracy 109
- Color calibration with stellar spectra 109
- Image processing applications
- The stages of image processing 110
- Choosing among image processing applications 110
- Using Pixinsight
- PixInsight’s learning curve 112
- The PixInsight user interface 112
- Working with images in PixInsight 114
- Working with processes in PixInsight 117
- Image and process containers 118
- ScreenTransferFunction 118
- Layers and selections in Photoshop and Affinity Photo
- Layers 120
- Layer blending modes 121
- Composite layers 121
- Working with filters non-destructively 122
- Selections and feathering 123
- Fundamentals of pre-processing
- Throwing out problem shots 124
- The types of calibration frames 124
- Pre-processing overview 125
- Creating master calibration frames 125
- Dark scaling 125
- Registration: aligning the calibrated subframes 127
- Normalization 127
- Integration methods 127
- Bad pixel maps 129
- The drizzle algorithm 129
- Pre-processing in PixInsight
- WBPP or manual processing? 131
- Before WBPP: Using CosmeticCorrection 131
- Using WBPP: Loading and viewing files 132
- WBPP: Parameters for bias, flats, and darks 134
- WBPP: Parameters for lights 134
- WBPP’s Calibration Panel 136
- WBPP’s Post-Calibration Panel 137
- Presets 137
- Running WBPP 138
- Manual pre-processing in PixInsight 138
- Pre-processing in AstroPixelProcessor
- APP’s User Interface 142
- The files panel 142
- The image viewer panel 143
- The pre-processing panel: Steps 1–6 144
- The TOOLS panel 148
- Pre-processing in DeepSkyStacker 150
- Pre-processing in Affinity Photo 153
- Diagnosing common image problems
- Misshapen Stars 155
- Diffraction patterns 157
- Stray light 158
- Halos 159
- Flat fielding problems 159
- Noise 160
- Principals and tools of post-processing
- Types of processing tools 162
- Selective adjustments 162
- PixInsight post-processing sequence 164
- Photoshop/Affinity post-processing sequence 165
- Masks and PixelMath
- Masks in PixInsight 166
- Creating a luminance mask: clip and convolve 167
- Creating a star mask with StarNet++ 167
- PixelMath 171
- Using a uniform mask 173
- Masks in Photoshop and Affinity Photo 173
- Creating a star mask in Photoshop or Affinity Photo 174
- Color synthesis
- Aligning color channel images in PixInsight 176
- Aligning color channel images in Affinity Photo 176
- Cropping out calibration artifacts 177
- Aligning histograms with LinearFit 177
- RGB color synthesis in PixInsight 178
- RGB color synthesis in Affinity Photo 178
- RGB color synthesis in Photoshop 178
- Narrowband mapped-color images 179
- Bi-color HOO narrowband color synthesis 180
- Creating HaRGB images 181
- Combining luminance and RGB data in PixInsight 182
- Combining luminance and RGB data in Photoshop or Affinity Photo 183
- Blending RGB star data into a narrowband image 183
- Creating a synthetic luminance image 184
- Combining color channels in AstroPixelProcessor 184
- Color calibration
- PixInsight’s PhotometricColorCalibration process 185
- Other calibration methods in PixInsight 186
- The PreviewAggregator Script 188
- Color calibration in AstroPixelProcessor 188
- Correcting gradients
- Gradient removal in PixInsight 190
- Gradient removal with AstroPixelProcessor 192
- Gradient removal in Affinity Photo 193
- Gradient removal in Photoshop 193
- Stretching the image
- What is stretching? 197
- Understanding the histogram 197
- How different curves affect the histogram 198
- Stretching in PixInsight 200
- Stretching in AstroPixelProcessor 201
- Stretching in Photoshop and Affinity Photo 203
- Posterization: the perils of over-stretching 204
- Stretching’s effect on color 205
- Noise reduction
- Visual noise, color, and scale 206
- Luminance masking for noise reduction 207
- An introduction to scale-based processing 207
- MultiscaleMedianTransform 209
- TGVDenoise 211
- One-step masking for TGVDenoise and MMT 212
- ACDNR 213
- MureDenoise 215
- Desaturating the background 215
- Noise reduction in Affinity Photo 215
- Noise reduction in Photoshop 216
- Adjusting color
- Enhancing color saturation in PixInsight 217
- Selecting Colors with PixInsight’s ColorMask script 217
- SCNR 218
- Enhancing color saturation in Photoshop and Affinity Photo 218
- Balancing Color in Photoshop and Affinity Photo 220
- AstroPixelProcessor’s HSL selective color tool 220
- Narrowband color adjustment in Photoshop 220
- Correcting magenta stars in PixInsight 220
- Correcting magenta stars in Photoshop or Affinity Photo 221
- Contrast enhancement and sharpening
- Creating contrast with S-curves 222
- Contrast enhancement with the soft light blend mode 224
- Local contrast enhancement in PixInsight 225
- Unsharp mask 227
- Affinity Photo’s Clarity filter 229
- The high pass filter 230
- Dynamic range compression with HDRMultiscaleTransform 231
- Deconvolution vs. sharpening 232
- Deconvolution in PixInsight 233
- Star reduction and removal
- Reducing star size 235
- PixInsight’s MorphologicalTransformation 235
- The minimum filter in Photoshop and Affinity Photo 238
- Starless image processing with StarNet++ 238
- Star reduction and removal in APP 241
- Star removal in Photoshop 242
- Reducing bright stars in Photoshop 243
- Large halo correction in PixInsight 244
- Large halo correction in Photoshop and Affinity Photo 245
- Cosmetic repairs
- Cosmetic repairs in Photoshop and Affinity Photo 247
- Cosmetic repairs in PixInsight 248
- Plate solving
- Plate solving 249
- Image annotation 250
- Mosaics
- Planning a mosiac 252
- Mosaics in AstroPixelProcessor 252
- Mosaics in PixInsight 253
- PhotometricMosaic 255
- Image composition
- Framing the scene 257
- Color 260
- Step away from the computer 261
- Images and reality 261
- Example: Nebula workflow (starless)
- Create the color image 262
- Separate the stars and nebula 263
- Process the starless image 263
- Process the stars 264
- Recombine the images and apply final tweaks 264
- Example: LRGB galaxy workflow
- Process the color image 266
- Process the luminance image 267
- Sharpen fine details and enhance contrast 268
- Noise reduction and finishing touches 269
- Example: Star cluster workflow 270
- What are we looking at? [Digital bonus chapter]
- Nebulae 273
- Star clusters 274
- Galaxies 275
- Appendix A: Deriving the stack efficiency equation 276
- Appendix B: Deep-sky highlights 277
- Index 280
- Further reading 283